TURNINGS - a Craft Artist Memoir
(writing in progress)

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Front Cover Draft

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Back Cover Draft
Preamble – PART 1
THE SEED SPROUTS
I adore my thirtysomething daughter. But ours is not the huggy, lovey-dovey relationship I envy in my friends’ families.

Even so, and to my great delight, last Mother’s Day she sent me a subscription to Storyworth. Her offhand comments (wanting more details about my life) were bearing fruit. And taking this initiative was endearing as it symbolically lessened the 3,000 miles between us.

To clarify, Storyworth’s format entails receiving a question each week, to answer by email, which they would store and print – in hardcover book form – one year later.

This sounded promising. A very personal gift, in both directions, that could remove some of the mystery in a fragile family history, and paint a slightly different picture than the one we each imagine. Indeed, it can also be filled with as many photos as I care to share. (Oh, yes, lots!)

Foolishly I presumed that she, herself, composed or at least selected the questions for me. And wow, #1: “How did you feel when your first child [her brother] was born?” That’s a doozy. Took me the whole week to compose a full reply.

But eventually I sent it off and eagerly awaited my next turn with The Inquisitor.

After a few weeks, though, the questions had become odd, unrelatable. Truth be told, she was not at all involved in their selection. They were from the Storyworth algorithm. No shame in that. But the sparkle vanished. I preferred spending time focused on details that specifically mattered to her, or to me. So, all their future questions fell unanswered.

Then a memory struck as my obstinate, childhood mantra chanted: “I’d rather do it myself.”

It prompted my recall of a lost opportunity, in 2014. Both my thumbs had developed CMC basal joint arthritis and needed major reconstructive surgery. That frightened me to the core! Because, for decades, my livelihood depended on the skilled use of my hands. (Doing what?)

Well, that’s me (age 25) on the book cover, with my VW bug, the day I left NH to embark on a drive. A solo, life-changing, cross-country, month-long adventure that coalesced into my becoming a full-time, self-directed, self-employed, jewelry-making, woodworking, sandal-wearing, pot-smoking, vegetarian street artist in Berkeley, CA. Later (tangentially) a wife and then a mother (and retired pot-smoker).

Fast-forward thirty-three years.
I was called back to New Hampshire, needed, to help care for my dementia-riddled dad. I complied. Four years later, my failing marriage ended. My parents died. And then... surprise!

Because of those thumbs, my craft career and the bulk of my adult identity was in jeopardy. What was I to do? A thought took root and grew.

It might be wise to embrace this unavoidable downtime and tackle the task of writing a memoir. Perhaps sharing the history of my long craft career would be a therapeutic project? Especially if it was all about to end.

Not so much to benefit my two, self-focused, then-twentysomething adult "kids." Rather, it could be written for the thousands of shoppers who’ve enjoyed stopping at my booth, in craft and quilt shows over the years across the country, listening to snippets of the stories I share with customers not afraid to ask me questions. Explaining how I design and create these classic toys and original, unique tools, mostly for quilters and the fiber arts; how I became (yes) a woman woodworker, and how, “No, my husband didn’t make these!”

Sadly, writing didn’t get far during recovery in 2014. Turns out, the impediment of temporary thumbless-ness proved too debilitating. So, that project circled the drain.

Putting context-to-timeline, my first craft license-to-sell was issued in Berkeley in 1978. But my self-directed career is not a separate nugget, detachable from my full life.

It evolved through a continuum, and resolved through a personal history that set me up to embrace this lifestyle. Colored by the character of my heritage and the consequence of my actions. Built on the far-reaching foundation of family influence as formative and unpredictable as my imagination.

No. Today, my memoir should encompass the broader view. Which also might have greater appeal to my daughter, who inspired and renewed this goal. And to my son, whose inquiries are few. I write to share with them the story of my life. And to share with my customers the story of my craft, in the context of my life.

Even to share, with curious woodturners, some techniques and tips to inspire free imitation of my designs. To create things uniquely similar to “Wood Turnings by Cynthia.”

Because, though my thumbs did recover, I have entered my 7th decade and expect a time will arrive when actual “retirement” is my next “turn.”
I want to leave my legacy gracefully, with style, into appreciative hands.

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